JACK GREENE
GHOST SHIP IN CHINESE WATERS, 1982
22.5 x 30 in.
acrylic on Arches
CRUX OF THE MATTER
1985
50 x 60 in.
acrylic on linen
FINGER PIECE
1979
22.5 x 30 in.
acrylic on Arches
CLOUD
1985
acrylic on linen
CRUX OF THE MATTER
1983
acrylic on linen
ENCOUNTER
1986
50 x 60 in.
acrylic on linen
8 O'CLOCK TURNING
1984
80 x 100 in.
acrylic on linen
NOT
1983
20 x 30 in.
acrylic on paper
CORROSION
1981
22.5 x 30"
acrylic on Arches
CONSTRUCTION SITE
1989
50 x 80 in.
acrylic on linen
ROADSITE
1986
43 x 50"
acrylic on linen
TRAIL OF EXPRESSION
1983
20 x 30 in.
acrylic on paper
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Jack with painting, "Political Eye Observing the Beauty of Debris"
80's: encounters of the psyche with the object.
In the 80's, I focused on real imagery taken from the found object and abstracted.
I was now using acrylic paint, though I continued to use oil for some elements. I added a new technique to the process. Using the camera as a tool to gather information, I photographed "objects" and then projected the photo-negative images onto canvas. I "deconstructed" the projected images using many techniques: painting with the brush, spraying with the air brush, squeegeeing molding paste through stencils onto the surface of the canvas, and building up the surface in other ways. I was always looking for new ways to construct the imagery to convey "encounters of the psyche with the object." I wanted to take reality and the images of reality: debris, textures, natural and industrial objects, metal, plastic, glass, cloth, wood, paper, grids, rusting, rotting, broken pieces, and paint its abstract basis, the archetypes that are there, buried and hidden and made visible by painted abstractions.
I was now using acrylic paint, though I continued to use oil for some elements. I added a new technique to the process. Using the camera as a tool to gather information, I photographed "objects" and then projected the photo-negative images onto canvas. I "deconstructed" the projected images using many techniques: painting with the brush, spraying with the air brush, squegeeing molding paste through stencils onto the surface of the canvas, and building up the surface in other ways. I was always looking for new ways to construct the imagery to convey "encounters of the psyche with the object." I wanted to take reality and the images of reality: debris, textures, natural and industrial objects, metal, plastic, glass, cloth, wood, paper, grids, rusting, rotting, broken pieces, and paint its abstract basis, the archetypes that are there, buried and hidden and made visible by painted abstractions.
80's: encounters of the psyche with the object.